The plot begins with the arrival of César in Madrid, fleeing after a settling of accounts. Celia, a woman courted by him, offers him refuge, triggering a series of entanglements with the appearance of Félix, Celia's brother, and Lisarda, the dead man's sister and also sought after by César. The director, Beatriz Argüello, highlights the impossibility of the characters to achieve their objectives, which keeps the function in suspense.
The adaptation of the play lightens Calderón's original text, introducing a more agile rhythm in the dialogues and respecting its structure. The version incorporates contemporary winks, connecting both eras with references to the price of rents and criticisms of political corruption.