'The Drama' Review: Robert Pattinson & Zendaya in a Tense Marital Comedy

In 'The Drama', Robert Pattinson plays Charlie, a British museum curator on the verge of marriage, who experiences mounting anxiety. The film, directed by Kristoffer Borgli, focuses on the nerves and doubts that arise before marriage, using a visual style reminiscent of Godard. Pattinson's performance is notable for its intensity and the portrayal of a character on the verge of emotional collapse. The plot unfolds in an atmosphere of toxic anxiety, questioning the protagonist's mental stability.

Borgli's direction, known for his work in 'Sick of Myself' and 'Dream Scenario', uses quick cuts and hyper-realistic lighting to keep the viewer in a state of uncertainty. The narrative of 'The Drama' focuses on relationships and life decisions, exploring the consequences of past actions and unexpected revelations. The film delves into the complexities of modern relationships, generating ethical debates about human behavior.

The story takes an unexpected turn when Emma, played by Zendaya, reveals a secret from her past: she almost committed a school shooting. This confession deeply impacts Charlie and the other characters, questioning Emma's perception and emotional stability. The film raises the question of whether someone can be judged for something they 'almost' did. Emma's revelation triggers a crisis in the relationship, leading Charlie to question his future with her.

The film explores the idea of Charlie gradually falling apart as the movie progresses, questioning the authenticity of Emma's story. The director creates a satire of pre-wedding rituals, including the first dance and wedding decisions. The film presents a series of unsettling situations, such as the DJ using heroin and scenes of vomiting, which increases the discomfort factor. It is debated whether 'almost' committing a massacre is worse than locking a child in a closet, adding an element of provocation.

Zendaya, despite her charisma, plays a more conventional role, while Pattinson steals the show with his interpretation of Charlie, a character on the verge of collapse. Pattinson's performance becomes more intense as the film progresses, showing his emotional deterioration. The film culminates with a farce in the wedding sequence, which, despite its twists and complications, results in an impactful ending. Borgli proves to be an original filmmaker, combining elements of Dogme 95 and 'Wedding Crashers'.